MUSEO TEO: LA COLLEZIONE

Tra atrio, studio, cucina, sala dell'accoglienza e della decompressione, port-au-prince e gabinetti dei disegni si possono trovare opere di

Andrea Achilli Pierre Alechinsky Christian Aliprandi Franca Angelini Maria Elena Arcangeletti Ferruccio Ascari Alessandra Attianese

Giovanni Bai Paolo Baroggi José Barrias Fabrizio Basso Sandro Becchetti Giovanni Bianchini Alice Bignardi Cesare Biratoni Tullio Brunone Domenica Bucalo Anna Buonapace Carlo Buzzi

Marco Camera Maurizio Camerani Alik Cavaliere Gea Casolaro Centro Studi Canaja Mauro Ceolin Camilla Cerea Véronique Champollion Christo Gianni Colombo Dario Cogliati Chiara Corio Gianluca Costantini Antonio Curcetti

Antonio Dalla Valle Carla Della Beffa Paola Della Pergola Roberto De Luca Guido Dezan Francesco Di Loreto Glauco Di Sacco Diana Dorizzi Do Knit Yourself

Eujin Emily Joe

Mauro Fabbro Fatima Flavio Favelli Dino Ferruzzi Lupe Ficara Francesco Flamini e Marco de Barba Edoardo Fontana Duilio Forte Franko B Fumiko

Alessandra Galbiati Antonella Galbiati Paola Gasparotto Gastone Gasparetti Andrea Gavagna

Jochen Gerz GGT Dario Ghibaudo Giandante X Carolina Gozzini Stefano Gualdi Klaus Guldbrandsen

Louna Harfouche Utagawa Hiroshige Walde Huth

Alejandro G. Iñárritu

Joikix Hydra Mentale Junko Koshino

Claudio Knöpfli Tosio Kojima Yayoi Kusama

Aldo Lanzini Laboratorio di Procaccini 14 Ugo La Pietra Jean Claude LeMalin Paolo Lumini

Vico Magistretti Francesco Magli Man Ray Miltos Manetas Enzo Mari Elio Mariani Giordana Masotto, Anahita Mobarhan Paolo Modica Sukran Moral Nicoletta Morozzi Michele Munno

Hiro Nakano Giancarlo Norese

Marilena Osnaghi Gianantonio Ossani

Gerry Palamara Luca M. Patella Gaetano Pesce Jan M. Petersen Vasco Petricig Pigreca Giò Ponti Vera Portatadino Danilo Pozzi Lorella Pozzi Produits Bruts

Bruno Riva

Paolo Sacchi Takako Saito Danilo Sala Edoardo Sanchi Raimondi Nicola Scognamiglio Pinuccio Sciola Francesca Simone Lorena Sireno Spazio Philippe Stark Albe Steiner

Masazo Tano Mario Tedeschi Teo Telloli Armando Testa Gigliola Tomasina

Tinus Van Doorn Ciarlo Veneroni Bernar Venet Rosanna Veronesi Daniele Vertemati Maria Luigia Vigant Rodolfo Vitone

MUSEO TEO

MUSEO SENZA SEDE E SENZA OPERE
IL MUSEO DEL TERZO MILLENNIO

Via Stromboli 3
20144 Milano

0249661061
museoteo@gmail.com

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MUSEO TEO, THE MUSEUM OF MUSEUMS

“Museo Teo gathers the collective work of many artists as a huge permanently evolving artwork, which includes in itself a thought about the state of art and in the meanwhile is a playful place for fun and irony. A museum with no permanent establishment and no works, which stages events - usually one-day long – in unusual and always different locations or on the edge of the traditional circuits, in order to bring art back to a really democratic and daily dimension”.

Several themes are recurring because they are the nodes from which our courses of action unravel, which have been redefined in the latest years: reclaiming the territory, education to image, art and the respect for the artistic heritage as shared values, and mostly the need to create a network of creative relations in order to develop sociality and the production of sense and beauty as well.

Twenty years ago we moved from Perec’s concept in La vie mode d’emploi, by which even nothingness can have its identity, if it holds traces of its own history (“Maintenant, dans le petit salon, il reste ce qui reste quand il ne reste rien”); we went across places and non-places, we explored both traditional and hyper-modern Japan and we hoisted the flag of peace on the Atomic Bomb Dome in Hiroshima; we tried to dig into the world’s totality with a different look onto the threshold between the daily and the unknown, beyond which everything is possible, using Stephen Hawking’s statement as a metaphoric flag: “There is a universe where the moon is made of cheese and where Elvis is alive. Ours is only one of the possible kinds of universe”.

In the editorial of issue four we stated: “We are nomads, vagabonds and travellers of the imaginary; we always bring with us something to amuse ourselves and something to think about” and on issue five: “Artificial intelligence? Intelligence would be enough for us. The normal, average one.” And many times we had to appeal to that simple proposition, in the process of our work with the Hip-Hop shaman’s spirit which Lea Vergine ascribes to us, “roaming allegory, innocent and sulphur conscience of the art world, embarrassing presence for old and new mandarins”.