MUSEO TEO: INTERZONE. Arte partecipativa

SABATO 26 MAGGIO 2012

Studio 149

Via della Vittoria 149
CASCINA (PI)

INTERZONA. ARTE PARTECIPATIVA

a cura di Lorena Sireno

con Giovanni Bai/Museo Teo, Mirko Mugnaini, Cosma Ognissanti.

Mentre stiamo sperimentando, in tutti gli ambiti sociali, i nuovi modi di comunicare con i codici ancora incerti della realtà virtuale, si avverte il bisogno di creare spazi pubblici di partecipazione che coinvolgano anche la realtà fisica delle persone. L'auspicio è che si creino ponti tra il vecchio e il nuovo modo di comunicare.

Interzone è uno spazio reale in cui incontrarsi e fare insieme.

L'iniziativa, che si presenta come un laboratorio aperto a tutti , gratuito, mette in campo alcune proposte/indicazioni da cui partire per mettersi in gioco e sperimentare: un'opera collettiva in cui lasciare la propria traccia registrata da una telecamera fissa, un' artfanzine da progettare insieme...

le altre proposte si potranno scoprire sul posto. La partecipazione dipenderà da ognuno di noi, dal dialogo che riusciremo a costruire, e chissà, forse, proseguire anche tramite altri mezzi di comunicazione .

Lorena Sireno

MUSEO TEO

MUSEO SENZA SEDE E SENZA OPERE
IL MUSEO DEL TERZO MILLENNIO

Via Stromboli 3
20144 Milano

0249661061
museoteo@gmail.com

MT-NZ.BLOGSPOT.COM
MUSEOTEONETZINE

MUSEO TEO
PROGETTI IN CORSO

ARCHIVIO STORICO MUSEOTEO
MUSEO TEO ARTFANZINE
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MUSEO TEO, THE MUSEUM OF MUSEUMS

“Museo Teo gathers the collective work of many artists as a huge permanently evolving artwork, which includes in itself a thought about the state of art and in the meanwhile is a playful place for fun and irony. A museum with no permanent establishment and no works, which stages events - usually one-day long – in unusual and always different locations or on the edge of the traditional circuits, in order to bring art back to a really democratic and daily dimension”.

Several themes are recurring because they are the nodes from which our courses of action unravel, which have been redefined in the latest years: reclaiming the territory, education to image, art and the respect for the artistic heritage as shared values, and mostly the need to create a network of creative relations in order to develop sociality and the production of sense and beauty as well.

Twenty years ago we moved from Perec’s concept in La vie mode d’emploi, by which even nothingness can have its identity, if it holds traces of its own history (“Maintenant, dans le petit salon, il reste ce qui reste quand il ne reste rien”); we went across places and non-places, we explored both traditional and hyper-modern Japan and we hoisted the flag of peace on the Atomic Bomb Dome in Hiroshima; we tried to dig into the world’s totality with a different look onto the threshold between the daily and the unknown, beyond which everything is possible, using Stephen Hawking’s statement as a metaphoric flag: “There is a universe where the moon is made of cheese and where Elvis is alive. Ours is only one of the possible kinds of universe”.

In the editorial of issue four we stated: “We are nomads, vagabonds and travellers of the imaginary; we always bring with us something to amuse ourselves and something to think about” and on issue five: “Artificial intelligence? Intelligence would be enough for us. The normal, average one.” And many times we had to appeal to that simple proposition, in the process of our work with the Hip-Hop shaman’s spirit which Lea Vergine ascribes to us, “roaming allegory, innocent and sulphur conscience of the art world, embarrassing presence for old and new mandarins”.